founded 1947

Chipping Sodbury Music Society aims to bring together lovers of different types of music and musicians in a friendly, convivial atmosphere.

Reviews of the Concerts of The Chipping Sodbury Music Society are published

in the Chipping Sodbury and Yate Gazette.

Reviews for 2017-18 Season

The Dime Notes


15th September 2017


"Vintage jazz at its best "


This was our extra, jazz concert that was arranged before, but not as part of our regular season; as we did last year with Jacqui Dankworth.



As a precursor to their 70th Anniversary season, Chipping Sodbury Music Society chose to invite The Dime Notes to put on a jazz gig in Chipping Sodbury Town Hall on Friday 15 September; what an excellent choice that proved to be!


The band, brilliantly led by Andrew Oliver on piano, also featured David Horniblow on clarinet, Tom Wheatley on bass and Dave Kelbie on rhythm guitar. The hall was packed to hear them play two sets of music by Jelly Roll Morton, WC Handy, Jimmie Noone, Duke Ellington and other greats of the jazz world. Unforgettable too were the two compositions by Andrew Oliver himself: The band’s adopted theme tune “Ten Cent Rhythm” and “Otis Stomp”, named after the small town Otis in Oregon where Andrew grew up. An interesting fact we learned from him was that a dime is 10 cents, but a dime note is 10 dollars.


Tom Wheatley chose to showcase his outstanding skill on the double base in the Duke Ellington number “Pitter Panther Patter”, in which he emulated Jimmy Blanton’s original performance in the early 1940s. It was interesting to note that the bow he used during the show was made of Mongolian horse hair – the preferred choice of double bass musicians.


Tom also found “Kentucky Blues”, made famous and recorded by Stanley "Fess" Williams in 1929. This number featured David Horniblow giving a virtuoso solo performance on clarinet, much appreciated by the enthusiastic audience. The amazing range of the clarinet was shown throughout the evening by this supremely skilled player.


Bix Beiderbecke was one of the great jazz musicians of the 1920s and the Dime Notes performed his “I’m Coming Virginia” allowing Dave Kelbie to demonstrate why he is one of the most sought after rhythm guitarists on the world stage.


The whole evening was a resounding success. All four artists were of truly international class and over 150 jazz enthusiasts were rewarded with a night to remember and cherish. Many were fortunate enough to take home signed copies of the band’s CDs and Vinyls.



Michelle Cook


17th September 2017


The Amadeus Orchestra


October 10th 2017



70th Birthday Gala Concert



An audience of over 100 welcomed the return of the Amadeus Orchestra, under its Director Philip Mackenzie and ably led by Madeleine Pickering, to celebrate the 70th birthday of the Chipping Sodbury Music Society.

What an enjoyable October concert it proved to be.


Handel’s Arrival of the Queen of Sheba is a work that many orchestras rush through. The Amadeus by contrast took a relaxed tempo with pointed rhythms and excellent balance between woodwind and strings.


Mozart’s Clarinet Concerto was his final major instrumental work before his untimely death. Claire King, the talented soloist, gave a lively account of the first movement with firm tone projection and secure intonation.

The sublime slow movement received a truly rapt performance with the air of resignation and sadness perfectly captured. An excellent rapport between soloist and orchestra ensured a rousing finale.


The final piece Handel’s Water Music included both familiar and unfamiliar items. Initially the louder fanfare moments revealed the lack of weight of a larger orchestra.

However the ear quickly compensated and the reduced forces of the Amadeus paid handsome dividends with greater clarity and sensitivity. The brass challenges were bravely surmounted and King George the First would have been well satisfied with this performance.


The evening ended with many curtain calls and an exhilarating encore of well known Scottish airs in the manner of Mozart. As ever the Amadeus had excelled itself and given the Music Society a memorable 70th birthday present.



Gerry Philp


October 16th 2017



Luba Tunnicliffe


Edward Liddall


November 14th







THE November concert of the Chipping Sodbury Music Society 70th anniversary year featured Luba Tunnicliffe viola and Edward Liddall piano, supported by the Countess of Munster Musical Trust.

Johann Nepomuk Hummel’s charming Sonata for Viola and Piano opened the programme.

The first movement had a delightfully airy feel, the adagio was played with great feeling and the more substantial finale revealed excellent coordination between the artists.

Johann Sebastian Bach’s solo Cello Suite No.3, transposed for viola, is a demanding work. It was triumphantly realised totally from memory.

George Enescu is a Romanian composer much influenced by folk music. His Konzertstuck for viola and piano is a passionate work which exploits the full range of the viola. Both players brought a rare intensity of attack to this piece.

The final composition, Johannes Brahms Sonata Op.120 No.1 brought a satisfying conclusion to the concert. The dramatic opening allegro was played with great spirit, the elegant songful andante encouraged delightful interplay between viola and piano and the final vivace was pressed home with great vigour.

The audience showed great appreciation for an evening of sustained musical excellence.


Gerry Philp


November 2017

Belinda Sykes & JOGLARESA


December 5th 2017



"Make We Mirth"




The December concert of the Chipping Sodbury Music Society had a decidedly festive air. JOGLARESA, a widely acclaimed ensemble which specialises in Early Music, gave a fascinating programme with a medieval flavour.

Belinda Sykes, director, Lea Cornthwaite, Louise Anne Duggan, Angela Hicks, and May Robertson, ably performed on an amazing range of instruments including an early form of bagpipe, frame drums, gittern, percussion, dulcimer, harp and fidel and great voices from everyone.


Though the words of old carols have been handed on through the generations few examples of the original music exist. Belinda Sykes has filled this void with compositions which fit both words and sentiments. The singing was of a consistently high standard with voices well blended and sensitive to the medieval texts.


In such a generously filled programme it is impossible to do full justice to the many items performed. Highlights included THE KILLER RABBIT about a man who choked on rabbit bones, THE COVENTRY CAROL a charming piece played with great feeling, VERBUN BONUM/VINUM BONUM a parody where the good word becomes good wine, and finally two well-known carols OH COME OH COME EMMANUEL and DING DONG MERRILY ON HIGH both given a rousing rendition.


This unusual and memorable concert was enjoyed by a large and enthusiastic audience,


Gerry Philp


December 8th 2017